• 목록
• 답변
• 글쓰기
• 게시판 리스트 옵션
  • 수정
  • 삭제

Fela Kuti

Fela is a man of contradictions. That's what makes him so intriguing. People who love him will forgive the flaws in him.

His songs often run for up to 20 minutes, and are performed in thick, almost incomprehensible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with horns and guitars.

He was a musician

Fela Kuti embodied that music can be used to transform the world. He made use of his music to push for social and political changes, and his influence is still evident in the world of today. His musical style, Afrobeat, is a blend of African and Western influences. Its origins lie in West-African high-life and funk however, it has evolved into its own genre.

His political activism was intense and he took action without fear. He made use of his music to protest against corruption by the government and human right abuses. Songs like "Zombie" and "Coffin for the Head of State" were daring criticisms of the Nigerian regime. He also made his home, Kalakuta Republic, as a hub for political activism and an area for gathering with like-minded people.

The play features a large portrait of his late mother, Funmilayo Ransome-Kuti, Accident Injury Lawyers who was a prominent activist and feminist pioneer. The actress who portrays her is Shantel Cribbs who has successfully depicted her importance in the life of Fela. The play also examines her political activism. Despite her deteriorating health, she refused to get tested for AIDS and instead opted for traditional medicine.

He was a singer

Fela Ransome-Kuti was a complex musician who used his music to effect political change. He is known as the creator of afrobeat. It was an invigorating hybrid of dirty funk and traditional African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders.

His mother was a suffragist against colonialism and it's not surprising that he has a love for political commentaries and social commentary. His parents wanted him to become medical doctor, but he had different plans.

While he began in a more apolitical highlife style, a trip to America would change his outlook forever. Exposure to Black power movements and leaders such as Malcolm X and Eldridge Cleaver had a profound effect on his music. He adopted a Pan-Africanism ideology that would influence and inform his later work.

He was a writer.

Fela was introduced to Black Power activists like Stokely Carmichael, and Malcolm X during his time in the United States. The experience inspired him to create a political group called the Movement of the People and compose songs that reflected the ideas he had about political activism and black awareness. His philosophies were expressed in public through the medium of yabis, an art of public speaking that he dubbed 'freedom of expression'. He also began imposing an ethical code on his band. This included refusing to accept prescriptions from Western-trained doctors.

Fela returned to Nigeria and began to build his own club in Ikeja. Raids from police and military officials were every day. The Mosholashi-Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). Fela was a steadfast person in spite of this. His music is a testimony to his determination to challenge authority and demanding that the popular goals are reflected in official goals. It is an influence that will last for generations.

He was a poet

Fela's music utilized sarcasm as well as humor to bring attention to political and economic issues in Nigeria. He also mocked his fans as well as the government and himself. In these shows, he would refer to himself as "the big fish in the small pond." These jokes were not accepted lightly by the authorities, and he suffered repeated arrests, imprisonments and beatings at the hands of the authorities. He was eventually given the title Anikulapo, which means "he carries his death in his pouch."

In 1977, Fela recorded a song called "Zombie," which compared soldiers to mindless zombies that followed orders without question. This irritated the military who seized the Kalakuta Republic, burning it down and beating its occupants. During the raid, Fela's mother was thrown from her second-floor through a window.

In the years following Nigeria's independence, Fela created Afrobeat, the genre of music that blended jazz with native African rhythm. His songs criticised European imperialism in culture and praised African traditional beliefs and cultures. He also criticised fellow Africans for betraying their country's traditions. He emphasized the importance of freedom and human rights.

He was an artist of hip-hop.

A saxophonist, trumpeter, composer and Accident Injury lawyers pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was influenced by rock, jazz, and roll, as well as traditional African music as well as chants and music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas have influenced his work.

After his return to Nigeria, Fela began using his music as a political tool. He was critical of the government in his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about human rights violations and social injustices. rights abuses. He was repeatedly detained for his criticism of military.

Fela also openly advocated the use of marijuana, also known as "igbo" in Africa. He also held "yabis" (public discussions) at Afrika Shrine, where he would mock government officials and spread his views on freedom of expression and beauty of women's bodies. Fela had a harem, which was a group of women who performed at his shows, and also backed him vocally.

He was a dancer

Fela was a master at musical fusion. He fused elements of beat music, and highlife into his own distinctive style. He influenced a generation African musicians and was a vocal critic of colonial rule.

Fela refused to be detained and tortured by the Nigerian military junta as having witnessed the murder of his mother. He died of complications related to AIDS in 1997.

Fela was an activist in the political arena who was critical of the oppressive Nigerian government and Accident Injury Lawyers embraced the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial parties. He also promoted black power and decried Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. Shuffering and Smiling is the title track from an album from 1978. It describes overcrowded public transports filled with poor workers, "shuffering and smiling". Fela was a fierce enemy of religious hypocrisy. The music of Fela was enhanced by his dancers who were lively, sensual, and regal. Their contributions to the performances were as important as the words of Fela.

He was a political activist

Fela Kuti was an activist who utilized music to challenge oppressive authority. He steered his knowledge of American jazz and funk towards African patterns and rhythms, creating music that is ready for battle. Most of his songs begin with slow-burning instrumentals. He layers little notes, riffs and other elements until they explode with urgency.

Fela was, unlike many artists who were afraid to discuss their political views He was adamant and unbending. He stood in his convictions even when it was dangerous to do so. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers union.

He also created Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided Kalakuta Republic and destroyed property, as well as injuring Fela. He refused to relent however, and continued to protest against the government. He died in 1997 from complications caused by AIDS. He was succeeded by his son, Femi, who continues to carry on his music and political legacy.

He was a father

Music is often viewed by many as a political act. Artists use lyrics to call for change. But some of the most powerful music-related protests do not use words at all. Fela Kuti was one such artist and his music continues to ring out to this day. He was the first to pioneer Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop that was inspired by artists like James Brown.

Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its whole population.

Fela's son Seun continues his father's work, with the band Egypt 80 that's touring the world this year. The band's music is a blend of the sounds and political stances of Fela's era with a fervent denial of the same power structures that continue to exist today. Black Times will be released at the end of March. A large number of fans attended the funeral at Tafawa Balewa square. The crowd was so big, that the police had to block the entrance.